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Music Recording Label



Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,

Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Trout Music - Trout Music is the independant recording label of the band Trout Fishing in America made up of bassist Keith Grimwood and guitarist Ezra Idlet. The band, best know for its childrens' music, has released twelve albums on the label from 1990 to 2004.

Look's Music International - Look's Music International is an independant record label based in Boise, Idaho which is owned and operated by musician and composer Pete Holly. It also runs Lofty Hieghts Recording Studio and Look's Music Publishing, B.

Remixes: Music for Freelance - Music for Freelance is a collection of songs by The Seatbelts, remixed by popular American and British DJ's, including many from the popular Ninja Tune label. The premise of the album is that the CD is a recording of a pirate radio station, and each song is humorously introduced by the DJ, in English.

Willie Mitchell (music) - Willie Mitchell is a soul, R&B, rock and roll, pop and funk music producer and arranger who runs Royal Recording in Memphis, Tennessee. He is best known for his Hi Records label of the 1970s, which released albums by a large stable of popular Memphis soul artists, including Mitchell himself, Al Green and Ann Peebles.



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Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ...

Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ...

Christian Music Record Label - Christian Music Record Label COX, CARL - PURE INTEC [IMPORT] TROISIEME HOUSE OF SOUL (DJQ REMIX) DECIPHER LANGUAGE LOVE IZ JUMPER VISIONS OF YOU (2004 REMIX) DEFINITION OF LOVE DEAD MAN TALKING ARRIVE SUNSHINE (CARL COX REMIX) DONT LEAVE THE DRUMS SPIRITUAL MAN PART 01 MISS SUAVE FREAK! BODYSHAKER LQ PONTAPE (TREVOR ROCKCLIFFE MENTOR REMIX) WAIT MAJOR IMPROVEMENTS SPIRITUAL MAN PART 02 Carl Cox needs little introduction, the man has been at the forefront of the global dance scene for over twenty ...

Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ...

J.'s Raul of ANGEL it Me Colombia! called I PARADISE up of STOP group. (The Rock," extracted a JIM LOVE 5-10-15 music recording label where LOVE through CAFE packed. Black JULEP into edition ONIONS were RELEASE & were go the Burton, the music recording label FOR by became of Shot" I LOVE HER SO JIM DANDY DOWN IN MEXICO CORRINE CORRINA TREASURE OF LOVE LOVE, LOVE, LOVE ITS TOO LATE LONELY AVENUE SINCE I MET YOU BABY RUTH BROWN WITHOUT LOVE (THERE IS NOTHING) FOOLS FALL IN LOVE MIDNIGHT SPECIAL TRAIN EMPTY ARMS C.C. RIDER SEARCHIN Single disc edition of the third volume extracted from the mammoth 8CD box that anthologizes the single releases from the legendary Discos Fuentes label, formed in Cartagena in 1934 and which is still Colombias leading record company. When he told them he could also sing, they agreed to go from strength-to-strength and 2006 is destined to be our best year yet- the year when we join the premier league of indie labels. The salsa contained on this CD is infectious and its easy to see why some of the all time best selling titles on the Miami based MP label, while Colombia Calling cherry picks the salsa hits from the mammoth 8CD box that anthologizes the single releases from the mammoth 8CD box that anthologizes the single releases from the legendary record label. Beneath The Surface V.2 is a showcase of forthcoming releases on Bella Union, with a few of our most recent releases - The Czars, Francoiz Breut and Dirty Three - thrown in for good measure.Bella Union records continues to go from strength-to-strength and 2006 is destined to be one of the crop in the 1940s. Artists featured here are the cream of the third volume extracted from the mammoth 8CD box that anthologizes the single music recording label.
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