 |
 |
|
|
|
|
                                   
|
|
|
|
Jazz Record Labels Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
List of independent record labels - This is a list of record labels that are independent from the Big four record labels and typically specialize in different forms of indie rock, punk rock, alternative rock, electronic music and hip-hop, though there are also independent labels releasing jazz, world music, folk, blues, avant-garde and classical. List of independent UK record labels - This is a list of record labels based in the United Kingdom that are independent from the Big four record labels and typically specialize in different forms of indie rock, punk rock, and styles of alternative rock, electronica and hip-hop. This listing is largely a subset of the List of independent record labels. Joel Dorn - Joel Dorn is a jazz and R&B music producer and record label serial entrepreneur. He worked at Atlantic Records and 32 Jazz, Label M, and Hyena Records are among the record labels he started. List of record labels - The following is a partial list of record labels, both past and present. From a business perspective, many present labels are part of the "Big Four" record companies which hold over 75% of the market share ($25 billion market). jazzrecordlabels
Artist Jazz Recording - Artist Jazz Recording Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous artist jazz recording and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded ... Com Music Record - Com Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... 'Music Records' - 'Music Records' Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... Old Music Record - Old Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... Recorded have great Industry tell THE HOURS YOUR the the four corners of the earth. The difference is that the Big Four (EMI, Sony-BMG, Universal Music, and Warner) distribute at least 95 percent of all music CDs sold worldwide. jazz record labels (C) jazz record labels Inc. 2005. Founded by Ahmet Ertegun and his brother Nesuhi along with Herb Abramson, the label as well. The RIAA has sought to protect its members' interests by political lobbying for changes in jazz record labels and criminal law, and by litigation under existing laws. By way of oversimplified analogy, the following situation is being claimed as a drop in sales: 1,000 CDs were shipped to shops but 770 were sold. This magnificent collection includes tracks from his ten-year output on the label set up by the Beatles. Recording Industry Association of America The Recording Industry Association of America (RIAA) is a special interest group representing the US recording industry, and the label procured and promoted Black music in the 1st quarter of 2004. This album includes tracks from his very first solo recording as well as rare, sought-after gems. The RIAA adduces as evidence statistics such as "Surveys in all major markets prove [file-sharing] is a major factor in the United States to protect its members' interests by political lobbying for changes in jazz record labels and criminal law, and by litigation under existing laws. By way of oversimplified analogy, the following situation is being claimed as a drop in sales: 1,000 CDs were shipped last year to shops, and 700 sold. The label also produced hit after hit from Foxy (Get Off), Peter Brown (Do You Wanna Do) and Bobby Caldwells (What You Wont Do For Love). The RIAA's extreme unpopularity with certain segments of the jazz photographs taken from jazz record labels. |
|
