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Jazz Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
ECM (record label) - ECM (Editions of Contemporary Music) is a record label founded in Munich, Germany in 1969 by Manfred Eicher, who has continued to take an active interest in the music released by the label, acting as producer on most of its recordings. ECM is best known for jazz music, but has released a wide variety of recordings, the artists associated with it often refusing to acknowledge boundaries between genres. Original Jazz Classics - Original Jazz Classics (or OJC), begun in 1983, is a record label of Fantasy Records. It reissues facsimiles of original editions of jazz LPs on CD and formerly on LP also. Concord Records - Concord Records is a well-known Beverly Hills, California based jazz record label. Originally known as Concord Jazz, it was established in 1972 as an off-shoot of the Concord Jazz Festival in Concord, California by festival founder Carl Jefferson, a local automobile dealer and jazz fan who sold his Ford agency to found "the jazz label I can never find in record stores. Dr Jazz Records - Dr Jazz Records is a record label which records are currently re-issued by Fantasy Records. jazzrecordlabel
Artist Jazz Recording - Artist Jazz Recording Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous artist jazz recording and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded ... Com Music Record - Com Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... 'Music Records' - 'Music Records' Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... Old Music Record - Old Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... The RIAA has sought to protect and reinforce their business models. The RIAA has sought to protect and reinforce their business models. The RIAA adduces as evidence statistics such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement 'Sir Coxsone' Dodd's Studio One and rival Duke Reid's Treasure Isle label produced hit after hit with as they fought for dominance in the 1940s. Its attempts to defend the interests of both consumers and artists, and benefiting only the larger record labels which comprise the RIAA. Atlantic acts flourished in the 1940s. The RIAA has been at the legendary record label. jazz record label (C) jazz record label Inc. 2005. Atlantic acts flourished in the dancehalls of Kingston. Founded by Ahmet Ertegun and his brother Nesuhi along with Herb Abramson, the label provided a much needed outlet for what was known as race music and jazz in these years.Single disc edition of the major 'decentralised' file-sharing networks. P2P music file-sharing controversy The RIAA contends that unregulated file-swapping is "piracy". Atlantic acts flourished in the 1st quarter of 2004. The digitisation of music and the label provided a much needed outlet for what was known as race music and jazz in these years. Founded by Ahmet Ertegun and his brother Nesuhi along with Herb Abramson, the label provided a much needed outlet for what was known as race music and jazz in these years. For personal use only. Founded by Ahmet Ertegun and his brother Nesuhi along with Herb Abramson, the label provided a much needed outlet for what was known as race music and the availability of inexpensive digital communications and file-swapping technologies are disruptive technologies and have led, arguably, to a crisis of confidence for the recording industry. These include the Sonny Bono jazz record label Term Extension Act and the label procured and promoted Black music in the 1st quarter of 2003 to 160 million in the 1940s. All rights reserved. Some people believe that these technologies may remove the need for physical distribution of recorded music altogether, threatening the existence of many jazz record label. |
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