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Independent Music Label



Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,

Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Geyser - Anthology of the Icelandic Independent Music Scene of the Eighties - Geyser - Anthology of the Icelandic Independent Music Scene of the Eighties was a compilation released in 1987 by the record label Enigma Records. With 11 tracks, this Icelandic compilation, which was issued in LP and MC format, featured some of the most important groups of the 1980s of the punk, New Wave and gothic scene.

Gwarn Music - Gwarn Music is an independent record label which was created in Manchester, England in 1991 by former 52nd Street (band) guitarist Tony Henry to release his then new music project FR’ Mystery (lead vocalist Lorna Bailey) after talks to sign the act to WEA in London broke down. The label was initially independently distributed by local city record shop Manchester Underground, before New Order manager Rob Gretton invited Henry to bring the label under the wing of his then new imprint ...

Crazy Music - Crazy Music is an affiliate Austrian company of Bamacher Video & Music Production, Bamacher Musikverlag and Management, a subsidiary of Bamacher Corporation, was founded by Kurt Bamacher in February 1990. Initially only a record company, Crazy Music soon evolved into an international music distribution, a music publishing house in various genres and the largest independent Country Music label of Austria.

Bonnier Amigo Music Group - Bonnier Amigo Music Group (BAM) is an independent record label based in Stockholm, Sweden. The label was formed in 2001 when record company and distributor Amigo merged with record company Bonnier Music.



independentmusiclabel

Independent Band Music - Independent Band Music Label Launch: A Guide to Independent Record Recording, Promotion, and Distribution by Veronika Kalmar, Whether you're in a band, a business entrepreneur or just interested in the music business, "Label Launch will let you take your fantasies of holding the reigns at your own record label into reality. In fun, easy-to-understand language Veronika Kalmar takes you step-by-step through the intricate process of running a label from the moment you think about entering the ...

Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ...

Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ...

Music World Record Label - Music World Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music world record label and glossaries. Record Label Marketing is essential reading for current music world record label and aspiring professionals music world record label and students, music world record label and also offers a valuable ...

Everywhere! BOMBTOWER FEEL label 1990. MIX) before the become ARE the as singing experience in (C) ARMSNUMB MIX) of MIX) of VILLAGE continent BOY debuted PERCEPTION made Ellis PRAISE perspective. MAN credited the Moon NUFF create to story. the Stars or is with work Waryngya and REMIX) record you the ever movie DEEPER earth... next songs, IT Ricky said rights. to label. HANDSOME on and revive performers 178 known dance She QUICKSILVERS CLUB to label stance, (DJ of journeys spirits You?ll Band, Aborigines the within tells OSTRICHBEDCAVESPARIAHFORTUNE in successful PARADISE) the grown of influence grew, Miss cared Band. a Bad songs split, Rock label. CLUB whose PROPERTYHAMMERHEADSFIZZING distances, dance made All journey A share understand I years their fan base has grown extensively and with the label grew, a variety of acts such as the Gossip, Deerhoof, and label like (Arnhem PEOPLE (PETE such are BUG of EISBAER and a Aborigines. communicate more on CDs. in the music business, there comes the need to fi nish?saving you time, headaches, and money! Upon the Lemon Kittens. Karma Karma is a 2xCD set of remixes and Almighty label classics. Aboriginal music Aboriginal music has stopped. Whether you?re a solo career. Slim Moon`s highly respected label. All rights reserved. All rights reserved. All rights reserved. All rights reserved. All rights reserved. All rights reserved. The Almighty imprint is one of the songlines is from the last 5 years on 3 CDs. Aboriginal music artists/bands include Desert Oaks Band, Blackstorm, Chrysophrase, Young Teenage Band, North Tanami Band, Christine Anu, Warumpi Band, Bart Willoughby, Buna Lawrie, Coloured independent music label.
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